Brief summary of idea
The opening of the scene will be a flash-forward to the end of the film
(cyclic structure) as it will hook the audience and question what has happened.
The first thing the audience will see is the footsteps of the killer walking
into a police interview room. It will pan up the back of his legs to reveal the
handcuffs tied around his hands. The noise of the footsteps will be the only
noise heard they would be very loud and counteract any other sound. Next will
be the girl’s footstep that is also going into a room to be interviewed. Her
footsteps will be light and silent, as it pans up her body her hands are
shaking and cuts on her arm are revealed. This will be shot very slowly to
create tension. These two shots will be cross-cut as they will flick back and
forward every couple of seconds.
As the door opens for both of them the girl goes and sits down in one
room to be interviewed whereas in another room the killer has his handcuffs
taken off and he sits down and gets interviewed.
In our opening scene there will be barely and dialogue just the sounds
of the handcuffs being taken off, the footsteps ECT…
Throughout the next minute or so the shots will flick back and forward
to the girl and the killer. Currently they are both in a room on their own
therefore they are both extremely nervous. Some of the things they do are:
·
Interview of killer: walking into a room to be
interviewed, wearing handcuffs, finger tapping, foot tapping, cleaning glasses,
looking uncomfortable and nervous, heart beating, drinking water, wiping his
forehead with a tissue.
·
Interview of the final girl: covered in cuts and
bruises, in shock so not speaking, crying, using a tissue to wipe her tears,
too afraid to say anything.
We will cross cut between the 2 police officers walking into the 2 separate rooms and starting the 2 interviews. We will include dialogue here of the police officers saying ‘police interview conducted at 04:23”
The last thing we see in the
opening scene is killer looking up into the camera and laughing (zoomed in
shot)
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